One of the first media of widespread popular computer use was the playing of games. Think Pong and Pac-man. Today a top thriving trend is the touch screen, familiar on smart phones and tablets such as iPad. The juxtaposition of these two trends has raised doubt in many people's mind how compatible they can be.
If the proof is in the pudding, there may be some justification in dismissing these concerns. No such incompatibility has prevented the development of games specifically for touch screens: see my list of the best games for iPad posted elsewhere. This practical evidence, though, has not convinced the nay-sayers.
Most commonly, there are those who complain about the practicality of touch screen game playing. The usual (perhaps obvious) complaint is something along the lines: my fingers get in the way of seeing the screen.
This may too often be true. It is though a criticism of the games designed, not the gaming potential of touch screen computers. In fact, the notion that tactile interface with the screen is problematic is itself a kind of outdated myopia. I'll suggest, on the contrary, rather than some conceptual cul-de-sac, touch screen gaming is not merely the cutting edge of gaming culture and technology, but it is a portent of human-computer interfacing of the future.
Before completely unpacking this claim, some context will be helpful. Consider the visceral pleasures of finger painting. I know many will object that serious painters use paint brushes. Fine.
Yet, we all know the joys of sticking our fingers into the paint; of using the tips of our fingers to smear, spread and shape the paint. Finger painting in a sense is almost a kind of sculpture. Kids of course notoriously love it, but even adults, given the rare occasion, if not worried about getting paint on their new dress or suit, will often be compelled to spontaneously stick in their fingers.
Compare that other childhood picture producing technology, the Etch-n-Sketch. I'm not claiming there's not fun in it. It is though a very particular kind of fun: detail-driven and fixated in a vaguely obsessive compulsive way. It's a world away from the uninhibited joy of finger painting. I propose that this sheer joyousness is directly related to the immersion in, not only the finger painting experience, but also into the product of the experience; the very tactile immersion into the medium.
The finger painter is literally "in" the picture that he is painting. This is not a metaphor, but a precise description: the painting is an extension of the painter and vice versa. It is necessary to fully grasp this distinguishing quality to appreciate why touch screen gaming is not only the future of gaming, but of human-computer interface. Like the finger painting, touch screen gaming immerses players right into the game.
Those who complain about the absence of buttons and joysticks, mice and keyboards, are simply expressing the annoyance of adaptation-challenge always expressed by those left behind by change. They are resentful that their refined skills, in which they have invested so much time and energy, are suddenly obsolete.
Our technological history is littered with those who tried to mask their efforts to protect their skills investment with pretensions of principle. Photographers complaining about digital cameras, ink-stained newspaper men complaining about the internet, motion picture moguls complaining about television, big band musicians complaining about the phonograph, and horse-and-carriage operators complaining about the automobile, are just a few of so many examples. The march of progress certainly does leave its causalities. Unless though we are happy to resolve ourselves to life in a permanent past, such change is finally for the good.
And of course superior function, though real enough, isn't even the real issue. The common themes here are more immediate and accessible experiences. Think about the very first person, whoever he was, that connected speakers to his television so as to produce surround sound. Surely he didn't know it, but he was blazing a way down a path which would eventually lead to that day not so far in the future when we'll all experience our favorite programs as total virtual reality scenarios.
It's almost a cliche to say that we like to "lose ourselves" in our entertainment, to get "wrapped up in it." We want for a little while to leave the worries of the world behind. This deep human desire for the brief refuge of an escape into fantasy and wonder, I suspect explains why we have always pushed our entertainment technology toward the experience of immersion.
The recent explosion in popularity of Wii is a case in point. It illustrates the desire to bathe ourselves in a tactically immersive gaming experience. The immersive experience of the touch screen approaches such immersion in a manner no control console or keyboard ever will. It links the child-like joy of finger painting and the intense pleasures promised by full virtual reality engagement. It links our personal past with our social future
Even that though is just a shadow of the technological immersion we can expect. Science fiction TV programs such as Star Trek or Babylon 5 depict technology that allows lights to be switched on through voice command. That though only scratches the surface of what is coming. The pioneering of cutting edge of strong AI opens the possibility of an environment in which the lights come on when we think about needing them, or they increases intensity when registering eye fatigue. This is the direction in which the future is moving and it is the logic of our endless thirst for the fully immersive human-computer interface.
Touch screen gaming is a stepping stone into that future. Game designers who try to build button or stick driven games for the iPad are like the early film makers and record producers who could only conceive film or tape recording as instruments for recording live performances. Until the benefits of splicing were discovered the potential of such media went unexplored.
So with game designers responding to the growing demand for games on touch screens, if they can find the organic fit with the uniquely immersive qualities of the iPad, they too can be harbingers of the future. Otherwise, they're just lingering stragglers of the past.
If the proof is in the pudding, there may be some justification in dismissing these concerns. No such incompatibility has prevented the development of games specifically for touch screens: see my list of the best games for iPad posted elsewhere. This practical evidence, though, has not convinced the nay-sayers.
Most commonly, there are those who complain about the practicality of touch screen game playing. The usual (perhaps obvious) complaint is something along the lines: my fingers get in the way of seeing the screen.
This may too often be true. It is though a criticism of the games designed, not the gaming potential of touch screen computers. In fact, the notion that tactile interface with the screen is problematic is itself a kind of outdated myopia. I'll suggest, on the contrary, rather than some conceptual cul-de-sac, touch screen gaming is not merely the cutting edge of gaming culture and technology, but it is a portent of human-computer interfacing of the future.
Before completely unpacking this claim, some context will be helpful. Consider the visceral pleasures of finger painting. I know many will object that serious painters use paint brushes. Fine.
Yet, we all know the joys of sticking our fingers into the paint; of using the tips of our fingers to smear, spread and shape the paint. Finger painting in a sense is almost a kind of sculpture. Kids of course notoriously love it, but even adults, given the rare occasion, if not worried about getting paint on their new dress or suit, will often be compelled to spontaneously stick in their fingers.
Compare that other childhood picture producing technology, the Etch-n-Sketch. I'm not claiming there's not fun in it. It is though a very particular kind of fun: detail-driven and fixated in a vaguely obsessive compulsive way. It's a world away from the uninhibited joy of finger painting. I propose that this sheer joyousness is directly related to the immersion in, not only the finger painting experience, but also into the product of the experience; the very tactile immersion into the medium.
The finger painter is literally "in" the picture that he is painting. This is not a metaphor, but a precise description: the painting is an extension of the painter and vice versa. It is necessary to fully grasp this distinguishing quality to appreciate why touch screen gaming is not only the future of gaming, but of human-computer interface. Like the finger painting, touch screen gaming immerses players right into the game.
Those who complain about the absence of buttons and joysticks, mice and keyboards, are simply expressing the annoyance of adaptation-challenge always expressed by those left behind by change. They are resentful that their refined skills, in which they have invested so much time and energy, are suddenly obsolete.
Our technological history is littered with those who tried to mask their efforts to protect their skills investment with pretensions of principle. Photographers complaining about digital cameras, ink-stained newspaper men complaining about the internet, motion picture moguls complaining about television, big band musicians complaining about the phonograph, and horse-and-carriage operators complaining about the automobile, are just a few of so many examples. The march of progress certainly does leave its causalities. Unless though we are happy to resolve ourselves to life in a permanent past, such change is finally for the good.
And of course superior function, though real enough, isn't even the real issue. The common themes here are more immediate and accessible experiences. Think about the very first person, whoever he was, that connected speakers to his television so as to produce surround sound. Surely he didn't know it, but he was blazing a way down a path which would eventually lead to that day not so far in the future when we'll all experience our favorite programs as total virtual reality scenarios.
It's almost a cliche to say that we like to "lose ourselves" in our entertainment, to get "wrapped up in it." We want for a little while to leave the worries of the world behind. This deep human desire for the brief refuge of an escape into fantasy and wonder, I suspect explains why we have always pushed our entertainment technology toward the experience of immersion.
The recent explosion in popularity of Wii is a case in point. It illustrates the desire to bathe ourselves in a tactically immersive gaming experience. The immersive experience of the touch screen approaches such immersion in a manner no control console or keyboard ever will. It links the child-like joy of finger painting and the intense pleasures promised by full virtual reality engagement. It links our personal past with our social future
Even that though is just a shadow of the technological immersion we can expect. Science fiction TV programs such as Star Trek or Babylon 5 depict technology that allows lights to be switched on through voice command. That though only scratches the surface of what is coming. The pioneering of cutting edge of strong AI opens the possibility of an environment in which the lights come on when we think about needing them, or they increases intensity when registering eye fatigue. This is the direction in which the future is moving and it is the logic of our endless thirst for the fully immersive human-computer interface.
Touch screen gaming is a stepping stone into that future. Game designers who try to build button or stick driven games for the iPad are like the early film makers and record producers who could only conceive film or tape recording as instruments for recording live performances. Until the benefits of splicing were discovered the potential of such media went unexplored.
So with game designers responding to the growing demand for games on touch screens, if they can find the organic fit with the uniquely immersive qualities of the iPad, they too can be harbingers of the future. Otherwise, they're just lingering stragglers of the past.
About the Author:
To keep up on the hottest goings-on in the world of touch screen games, check out Mishu Hull's regular articles at the Best Games for iPad site. He writes on a variety of technology topics. His critical review of the newest version of Kindle Fire, " Kindle Fire Tries it Again, But... ," is a must read.
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